vedang`s music

Harmonious, melodic, tuneful vibrations of the age old divine sounds, which has contemplative stupendous effect on mind, body and surroundings in the nature. It is a meditation. Based on breathing exercise Pranayam(naad yoga) .Breathing which inhales and excels for longer gives more oxygen to the body.Alap is the soul of the Raga. It shows the caliber of the musician. His capacity of intellection, mind’s eye, how far he could think of the boundaries of the thought with creative combination of melodic notes set to the rhythem.It takes years of practice to get command on the scale to perform freely. Every days practice brings the different shades to the raga, fulfillment of intense happiness, ecstasy, exaltation, euphoria the total bliss.Experience of supreme sound the Naad Brahma. About me- Performing vocals for last many years around the globe. Taught music in USA for ten years including one of the prestigious universities(MUM) at Fairfield Iowa. Worked for the Radio in North America as producer and host(musicals). http://www.youtube.com/user/MsVedang

Friday, October 24, 2025

Indurikar Maharaj.

 Indurikar Maharaj



Here’s a detailed overview of Indurikar Maharaj (full name: Nivrutti Kashinath Deshmukh, popularly known as Indurikar Maharaj) — his background, work, style, significance, as well as controversies:


Early Life & Background


He was born on 9 January 1972 in the village of Indori (in Akole taluka, Ahmednagar district, Maharashtra) and uses the name “Indurikar/Indori­kar” referencing his village. 


His full name is Nivrutti Kashinath Deshmukh. 


Education: He attained a B.Ed (Bachelor of Education) from Gokhale Education Society’s College of Education, Sangamner. 


He worked as a teacher originally before devoting more time to kirtans (spiritual-discourses + singing) and social education. 

Career & Style


Indurikar Maharaj is primarily known as a kirtankar (one who delivers kirtans) and social educator. 


His kirtans are characterised by:


Use of humour and relatable examples drawn from everyday life to engage the audience. 


Addressing societal issues, malpractices and moral/spiritual themes, rather than purely scriptural discourse. 


His style and production changed with social media – e.g., his first cassette was released in 2003 and with YouTube/social media his popularity multiplied. 


Organisation & Social Work:


He is associated with or runs a social-service oriented organisation: Dnyaneshwar Mauil Bahu‑Uddesiya Sevabhavi Sanstha in Ozar (Bk), Sangamner. 


Lives in Ozar (Bk) in Sangamner taluka (Ahmednagar district) and is active in that region. 


Significance & Impact


Indurikar Maharaj’s approach makes spiritual and moral messaging more accessible to the common people by combining entertainment (humour + story) with message. This allows people who might not go to formal religious talks to engage with spiritual themes.


His use of everyday language and references to village life, family, social issues gives him wide appeal in rural and semi-urban Maharashtra. 


He therefore occupies a bridge-role: between traditional devotional/spiritual methods and modern media/communication.


Controversies & Criticisms


He has faced criticism for remarks considered sexist, superstitious or promoting caste/gender biases. For example:


In February 2020 he gave a sermon asserting that if intercourse happened on an even date, a boy is born; if on an odd date, a girl is born. That remark drew strong backlash from activist groups and was the subject of a potential case under the PCPNDT Act. 


Critics say his style “does not fit within the hierarchy of Sant tradition / Warkari-parampara” due to his humour, some of his jokes, and alleged objectification of women. 


While he issues apologies for hurt remarks, the controversies remain part of his public persona. 


Key Facts at a Glance


Name: Nivrutti Kashinath Deshmukh (stage name: Indurikar Maharaj)


Born: 9 January 1972, Indori village, Akole taluka, Ahmednagar district, Maharashtra. 


Education: B.Ed


Occupations: Kirtankar, social educator, former teacher


Specialty: Marathi kirtans with humour and social commentary


Organisation: Dnyaneshwar Mauil Bahu-Uddesiya Sevabhavi Sanstha


Controversies: Some statements criticised for superstition/gender bias


Why People Follow Him


Because his speeches/kirtans are entertaining, easy to follow, and relevant to everyday life.


Because he mixes devotion + social message + humour, which helps the message stay in memory.


Because media/YouTube amplify his reach beyond village gatherings.



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